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Indeed, the curatorial program attributes changes in style, palette and subject to facts of geography and personal proximities, side stepping the pitfalls of his legendary self-fictionalization and manipulative obscuring of history.Balthus, (1941-43), Courtesy of the Metropolitan Museum of Art The Balthus myth, self-fabricated and often transparently so, insistently disarms critical interpretation of his works, seeking to foil characterizations of erotic, even pedophiliac, content.In 1886 two notably anti-Semitic works of his appeared, a drawing on the cover of Le Courrier français and a painting exhibited at the Salon des Indépendants.

A retrospective exhibit of his work was mounted at the Musée des Arts Décoratifs in Paris in 1911.

He provided illustrations for the theatrical journal Les Premières Illustrées from 1881 until 1889.

His first of many illustrations for the Le Courrier français, a journal featuring Montmartre artists and writers, appeared in 1885; he continued to draw for the journal until 1908.

During the 1890s Willette created illustrations for L’Echo de Paris (Paris Gossip), La Plume (The Pen), Le Rire (Laughter) and the anti-Semitic journal Libre parole (Free Speech), as well as several books.

He created decorations in several cafés and cabarets.